Wednesday, May 27, 2009

8-9-3 Jack Hsu and his amazing graphic novel debut!




I have the privilege of working with Jack Hsu and am so very happy to see this review/preview of his work 8-9-3! He has been working on this book for years and the amount of research he put into it is astounding. So much accuracy in the history and culture of the Japanese underworld. And, the story is great--this book reads like a movie and I wouldn't be surprised if it make it to the silver screen one day.
Congratulations Jack, on your award, this review and the completion of your amazing book! Best Wishes for continued success!! You deserve it!!

Diamond Publishing Preview

Wednesday, May 6, 2009

Peek!!

I can't take it anymore!! I want to show off a horse head I did with Momka's new silver experimental. It is purple purple! So I won't use the photo I used for the ad, but a photo from the session....so without further ado...here he is! The body is clear encased Momka's silver experimental and the mane is Momka's Thunder Sparkle that was not struck so as to keep it dark.
I am going up north and begging Momka to sell me as much as I can afford of this color. Peeps, don't beat me to the punch!!

Seattle in a week!

Next week I will be on a plane to visit Seattle with my friend Casey! We are going to have a blast!!! Double Helix, Momka, Gaffer, Hot Glass Color and Supply are a few places that are on the list!!! Can you say the poor house it will be for the both of us?!! Then Hubby is going to join us and Casey will go home to Colorado, and Hubs and I will make the trek up to Vancouver to see my uncle. Then it is back to Seattle to do some serious seafood eating and sightseeing. I can't wait. I have a ton of work I need to get through before all this can happen and I am working on getting through this week!!!
I am also looking into some serious eating establishments here to take Casey to....one for sure is Sweet Lady Jane's...an awesome bakery. All natural ingredients--beautifully decorated. Then there is a toss up... La Brea Bakery and Campanile, The Little Door, Comme Ca, Chaya, Taste, Massimo's, XIV? I dunno, could be fun to try these, or the good NoHo standbys, D'Cache or Ca' Del Sole....it'll kick off the fun!
But first-I need to dig through this giant mountain of work!!

Monday, May 4, 2009

YAHOO!

It was easy and now I have a brand new more powerful gallery too. It will take me some time to get the gallery to where it was, but I am ecstatic. Customer support was insane. Within a minute of clicking the submit button, I got a phonecall. Unbelievable. Everything was one click easy.
YAY! and YAY!!!
I was sick all day and feeling poopy, but this made me smile. Wish everything could be so simple!!

GoodBye IPower!!!

Well, if all goes well, within the next 48 hours I will have a new website provider. A better, faster, stronger one. Thank heavens!! This past year has been a rough one and I think more than a few grey hairs can be attributed to my interactions with IPower. After much research, I came to try InMotion Hosting. They offer many things that I like, and we shall see in the coming months how things go. This will also be a spring board for me to revamp the ailing website. There are many tools that are now at my fingertips and it's exciting to know that I'm not going to be charged extra. Exciting times ahead!
And of course, as soon as I notified them of my change to InMotion, they cut off my gallery page. Thanks IPower! Yet another reason to run away from ya!

Sunday, April 5, 2009

Art and the Body

For the longest time, I thought that as an artist, all I needed was a strong mind, a good eye and good hand- eye coordination. Body? As long as it was alive and could move my hand, I didn't give it much thought..... it was there but it was just THERE if you know what I mean. It was the reject child of my life that brought me nothing but disappointment. In art, I could be totally free and powerful. I could communicate ideas and thoughts that I could not articulate in real life. I could secretly nurture my hurt and protect myself from pain. And, I could go on adventures and do the things I knew I could not do in real life. But anyway, I digress. Back to this artist's body.... Most of us artists have spent countless hours behind the desk or at the torch, studying to get the skills and technique of our craft down. We live on caffeine and fast food....anything that will not take time away from our precious studies. Where does that leave our bodies? At the bottom of the 'to do' list. How did I feel? Like my body looked—terrible. At 42, I felt my life should be over. I was in a lot of pain, chronically tired (anyone who remembers me from back then will remember just how exhausted I was) and sick, sick, sick all the time. I think at one point I was sick every 6 weeks. I secretly wondered if this was all there was to life. I decided I had to do something to turn things around, but I didn't think it was possible. I felt lost. That is when a friend introduced me to my now trainer, Alona(thank you Dana!). With her help, I started on the path to rediscovering my body and learning that it is possible to have a healthy body if I give it the same love and attention I give my art. Now, at age 45, I feel like I did when I was in my 20's. That feeling of mortality has slowly shifted away. I am Alive. But what does a healthy body have to do with art?
I am learning, kicking and screaming(yes, it is emotionally not easy to come to grips with!), that I need to have a healthy and fit body to do good and happy art. Feeling alive and vibrant pushes you to take more chances. It clears the mind and allows space for true freedom. And only being sick about once a year ain't bad either. All this sounds like a given, doesn't it? What was the old saying? Sound Body Sound Mind? Well, there is a difference between knowing it, and experiencing it. And that is just it. Knowledge stays in the brain, but understanding goes through every cell.
And here, we arrive at M11. This work deals with physical and mental healing through dynamic flexibility. We learn to move our bodies in ways that we never have before, to open up the body's natural healing response. At first, it seems too simple to believe, but like art, the more you learn, the more you realize there is a lot of complexity behind that simplicity. What is this natural healing response? The body, through blood, nourishes and replenishes itself constantly. If there is an infection or wound, white blood cells aggregate to protect and heal. The more blood flows through an area, the quicker toxins are removed, cells are nourished and the faster everything returns to homeostasis. As we age or are injured, we avoid painful movement. The more we do this, the stiffer we get. Less blood flows through these areas and we lose function. Leonardo Da Vinci touched on this notion in his notebook, he writes:
“The body of anything whatsoever that receives nourishment continually dies and is continually renewed. For the nourishment cannot enter except in those places where the preceding nourishment is exhausted, and if it is exhausted, it no longer has life. Unless therefore, you supply nourishment equivalent to that which has departed, the life fails in its vigour; and if you deprive it of this nourishment, the life is completely destroyed. But if you supply it day by day, then it renews its life just as much as it is consumed.......”
Of course, we learned this to be true in science class, but once again, this very simple statement belies the complexity of what actually is happening in our bodies. We don't understand our physical body(or the universe) as much as we would like to. We can, through experimentation, come up with hypotheses as to the nature of an ailment and find a good solution, but the human mind has a flaw—it naturally orders and compartmentalizes things. We think linearly—this action sets off this reaction and that reaction sets off yet another. But Mother Nature works on so many levels that we cannot even comprehend. We cannot see into the multiplicitous activities of the body. With this Dynamic Flexibility class, we learn to go back and trust our bodies and allow them to do what they were meant to do.Heal on all levels. It seems easy but is very hard to do. You have to let your brain stop trying to take control.
I do the work--it's been week 10 now--and physically here is what I am noticing:Sore back, gone. Shoulder pain, gone. I still have pain in my neck, due to chronic usage, but the flare ups I get have lessened to the point where I am healed overnight. I am a bit surprised to find that the nerve damage from my horseback riding fall is starting to dissipate—I mean, I have had this numbness for well over 10 years—how could it be going away? Pretty amazing. Mentally,I still resist much of it, I think because I hate being weak and it is like someone poking a finger on your weak spot continually over and over. All you want to do is karate chop that finger away and hide but in reality, the only way to stop the pain and frustration is to go through it and come out the other end. There is a lot of stuff I know I have to deal with, but I am fighting it tooth and nail. I don't know if mentally I can overcome things, but I am physically doing the work and I hope that my mind will follow. It's a strange thing to do for people who are used to leading with the mind first.
There's so much more to it, but really, it cannot be explained. It has to be experienced. I'm just a beginner in this work and there is a long road ahead. Will I be able to continue and progress? I don't know. It's scary territory. All these emotions come up and I don't know what I am doing. But I do know one thing. It is slowly freeing me of the mental oppression I felt doing my artwork. I cannot explain it. I stopped painting 5 years ago because it caused too much mental anguish. I would approach that empty canvas with dread and every brushstroke was pain. I won't go into it here because it's too personal, but it's enough to say that I almost gave away my easel....my beloved easel. And yesterday, for the first time in over 10 years, I did a life drawing and felt for the first time in five years, the urge to paint. So yes, in a way I cannot explain, the health of my physical body is healing my mind and that is why having a healthy body is so important to good art. Okay, I have to stop writing because this is too much for a Sunday morning.....but I will continue my reports here and there. I wish you all the very best in your artistic journey and may you all find what you are looking for.

Monday, March 30, 2009

Figure study



The torso is Loki's Lipstick...with clear core ....Using contrapossto....getting in the mood for something larger....